"Dawn's Early Light"

"My name is Macy, just like the department store". The tiny twenty-four-year-old chatterbox was a graduate of a four-year tourism and management school and currently working for CITS (China International Travel Service) in Guilin. Our 1.5-hour transfer to Yangshou was filled with a one-sided conversation about her family and friends. I was booked into the Li River Retreat and we arrived at the most inopportune time. Macy had told me that between the hours of 12:00 p.m. and 4:00 p.m., the road is blocked when an access street becomes a market jammed with vendors' stalls and crowds of tourists from the river cruises. She suggested that I rent a small bamboo boat and started negotiating with the owner to take us there. I told her that I would make my way from the dock as I did not want her to walk the six kilometers back to her waiting car. She would have none of that and told me she wanted to check me in and make sure that everything was alright. After checking in Macy made contact with a self-taught guide that she knew named Joanne (Xu Xu Juan) and we would meet at 5:00 p.m. Joanne arrived on her bicycle and told me that she had been guiding for over ten years. I asked her if she had worked with photographers in the past and her answer while looking away was "no". My notebook was filled with photos and ideas of places to photograph and as I showed them to her she burst out with the most amazing revelation. "My uncle is the one who took those photos" "His name is Zhang Liping, I will call him right now". Zhang was known to me as I had admired his photographs of life on the Li River while researching ideas for this trip. I went back to my room while Joanne finished her conversation and could not believe what had just happened. Joanne entered the room and told me to be ready at 4:00 a.m. as Zhang was meeting us in Xingping and she had booked a car to take us there. 
 
© Kieron Nelson 2008 "Vanishing Cultures Photography" All rights reserved © Kieron Nelson 2008 "Vanishing Cultures Photography" All rights reserved
Zhang was waiting for us at the dock and we quickly sped along the Li River for about 40 minutes to a small stone outcrop with enough room for the three of us. A fisherman dressed in traditional costume with two cormorants suddenly came into view and a conversation erupted through the gentle splashing of water against his bamboo raft. He began to prime his age-old lantern which illuminated the bamboo groves lining the river. We waited patiently for the first rays of light to reveal the crystal-clear water and the uniquely shaped limestone peaks.
© Kieron Nelson 2008 "Vanishing Cultures Photography" All rights reserved © Kieron Nelson 2008 "Vanishing Cultures Photography" All rights reserved
Xingping - A lantern illuminates the scene. As the morning unfolds along the Li River the limestone hills reveal themselves. Cormorant fishing is an age-old art that is long past its glory days. Today, it exists largely due to the tourism industry.  
© Kieron Nelson 2008 "Vanishing Cultures Photography" All rights reserved © Kieron Nelson 2008 "Vanishing Cultures Photography" All rights reserved
                               The sun slowly rising illuminated the scene in a misty red and orange glow.
© Kieron Nelson 2008 "Vanishing Cultures Photography" All rights reserved © Kieron Nelson 2008 "Vanishing Cultures Photography" All rights reserved
Zhang instructed the fisherman to dunk the uncooperative cormorants into the water and place them back on the raft. This would make them spread their wings to aid in drying. It became increasingly difficult to get more than one bird into a photographic position.
© Kieron Nelson 2008 "Vanishing Cultures Photography" All rights reserved
© Kieron Nelson 2008 "Vanishing Cultures Photography" All rights reserved © Kieron Nelson 2008 "Vanishing Cultures Photography" All rights reserved
After spending more than an hour photographing the fisherman with his birds, Zhang instructed him to demonstrate his skill at casting his fishing net.
© Kieron Nelson 2008 "Vanishing Cultures Photography" All rights reserved © Kieron Nelson 2008 "Vanishing Cultures Photography" All rights reserved
Shrouded in mist as the sun climbed over the Karst peaks we were invited to the home of Zhang Liping. Over cups of tea, I was shown the photographs that lined the walls of his home. I felt very humbled to be in the presence of a generous and truly talented man.

'The things we take for granted'

In the heart of Yangshou, Guangxi Province, where mist-cloaked karsts pierced the sky and the Li River shimmered under the moonlight, I found myself staying at a quaint guesthouse tucked between the Karsts. The guesthouse, with its creaky wooden floors and walls adorned with faded Chinese calligraphy, had an unassuming charm that felt like a secret shared only with those who wandered far from home. Among its staff was a young waitress named Rils, whose presence seemed to light up the dimly lit dining room more than the flickering lanterns ever could. Every evening, after the clatter of plates and the hum of conversation from the last meal faded, I'd spot Rils in a quiet corner of the dining room. She sat hunched over a well-worn electronic translator, its screen glowing faintly as she murmured words to herself, her brow furrowed in concentration. Her dedication was impossible to miss. When Rils waited on my table, her approach was always marked by a shy but radiant smile, one that seemed to carry both warmth and a hint of nervousness. "Good evening," she'd say softly, her eyes bright with effort, "What... you like eat today?" I could not help admiring her courage at navigating a language so foreign to her. One evening as I sat flipping through my Rough Guide Mandarin phrase book, Rils lingered near my table after delivering my evening meal.In her hesitant English, she asked, "Excuse me...you have time? Can you teach me words?" She gestured to her tiny translator, its tiny screen flashing an error message. "Some words...it not know." Her cheeks flushed slightly, as if she feared she'd overstepped. "Of course," I said, sliding the phrasebook toward her. Her face lit up as she traced her fingers over the pages, marveling at the Chinese characters paired with their English translations. "This so good!" she exclaimed, her voice bubbling with excitement. "I can read this. I learn fast." Over the next few evenings, our impromptu lessons became a ritual. I would point to words and she would repeat them, her tongue wrapping carefully around each syllable. One night, as the cicadas hummed outside Rils shared a piece of her story. She was from Beijing, she said, her voice softening as she spoke. She had come to Yangshou, a place teeming with travelers, to chase her dream of mastering English. I asked about her family, "No family," she said simply, her voice steady but heavy with unspoken weight. "Just me." The words hung in the air and I did not press further. As my time in Yangshou drew to a close, I knew I could not take the phrasebook with me. It had become more than a guide for me; it was a bridge between us, a small token of connection in a fleeting encounter. On my last evening, as Rils cleared the table, I slid the book toward her. "This is for you," I said, smiling. Her eyes widened, and for a moment she seemed to freeze. Then her face crumpled, tears welling up as she clutched the book to her chest. "No, no, she protested, her voice thick with emotion. "This too much. Too valuable." It's yours now," I insisted gently. "Keep learning. You are already so good." She shook her head, tears spilling over, and whispered, "I keep this always. I never forget you." Her words, raw and heartfelt, carried a weight that lingered with me long after I left Yangshou's misty hills behind. 

Blog entry Rough Guide Mandarin Chinese Phrase Book<span class="large"><a href="https://www.vanishingculturesphotography.com/blog/2014/2/dawns-early-light" target="_blank">https://www.vanishingculturesphotography.com/blog/2014/2/dawns-early-light</a></span>  
 

 


Comments

James(non-registered)
Great post! Your viewpoint is original and stimulating. Content that respectfully questions conventional wisdom is wonderful to see.
Vanishing Cultures Photography
Thanks for the wonderful comments, I always appreciate them.
Priya Balan(non-registered)
I really like these images . There is no denying that these images are very beautiful. All your shots are fantastic in this article is very well captured. they look like a scene from the movies. Imagine meeting with the Uncle who took the images that you researched for your trip. Its a small world as the saying goes!!!
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